Showing posts with label silkscreen. Show all posts
Showing posts with label silkscreen. Show all posts

Saturday, October 3, 2015

The Boreal - Small Wonders - exhibition of small size original printmaking











a viewer looking at my work and also reading the short little stories that accompany each piece underneath.



Today my series of 24 new small studies on paper officially opened to the public.
The works are hung in the small corner public gallery space at the Baggage Building Arts Centre in my hometown of Thunder Bay, Ontario.
This project commenced in the late spring of 2013 when I applied for and received a Northern Arts new works project grant from the Ontario Arts Council. 
My vision was to focus on creating a series of small studies on paper examining elements of the Boreal Forests of our region in the scope of flora and fauna.






















Here is the artist statement: 


An image can relay many things, even from the perspective of a small size in comparison to a larger counterpart. It is my hope these studies that originate from a variety of original print based processes will encourage the viewer to come closer and develop an intimate relationship with each work.
The idea of “small” relates also to the actual subjects being studied, especially delicate tiny plant, mammal, insect, amphibian and bird species native to this region that co-exist with other larger forms of life found within the boreal forest.

Natural environments have been the main component of many of the images I have created to date. With this series I have continued explorations on this theme but with greater emphasis towards personal close up observations of select components of the natural environment.
I have utilized a range of printmaking techniques to achieve the final imagery. These include serigraphy, collagraph and intaglio (drypoint from acrylic plate both drawn art and photo based imagery on the surface of polymer plates). I have also paired hand-colouring with the intaglio plate based images.

The forests of Northwestern Ontario harbour a wide variety of plant, animal and insect life that are unique to this region of Canada. Many rare species have been able to adapt and thrive here due to factors created by historical geographic disturbances and unique climatic factors due to the influence of location between the Canadian North and the Great Lakes. Proximity to Lake Superior has also been a significant factor as it keeps the climate somewhat cooler in areas close to the lake.
Unfortunately conditions favourable for many of these species are being altered due to influences occurring on the planet such as climate change and the presence of man through resource industries such as forestry and mining and others. These factors have been playing influence towards the survival of many species.
Predictions made by NASA scientists in the fall of 2011 indicate that the Great lakes basin area of North America will be one of the most affected regions during the next few decades in the scope of climate and there will be noticeable changes in habitats directly related to conditions that were once favourable for species to thrive in. 
We may indeed see the disappearance of many of these unique components of nature. I feel that documentation of particular components of the natural environment found in this
region is an important issue worth examining.

My role as an artist in this case is to present you the viewer with a series of studies that examine established relationships between environments and habitation of species as they presently exist. It may also raise awareness that the influence our own species has on other forms of life found on the planet.

I did not use relief carving this time due to a shoulder injury that affected my drawing hand and arm. Holding a cutting tool and attempting to carve away a surface for prolonged durations proved to be extremely painful and I was forced to omit using this approach intended for creating a few of the images (that was part of my original vision). Therefore following approval of the changes for my project grant funding from the OAC more emphasis was directed towards exploration of photo images translated to plate etchings. After some rehabilitation I found that I was able to spend time applying watercolour and acrylic inks to these studies with less pain involved. I can happily say that I believe my injury is making a great improvement and I should hopefully soon be able to find full use of the arm for my artistic pursuits.



















Caribou Lichen
photo etch with hand colour





closer view

I used the following techniques to create the 24 studies that are listed below:

  • serigraphy
  • collagraph
  • drypoint on acrylic plate
  • drawn/painted original artwork on film exposed to polymer plate
  • photo positive on polymer plate







































The 24 studies feature represent five species that include mammals, insects, birds, amphibians and plants that are found in the boreal forests of Northwestern Ontario. They are:

red fox
bobcat
woodland caribou
red squirrel
great horned owl
canada jay
red-breasted nuthatch
american white pelican
northern flicker
pileated woodpecker
loon
american toad
western painted turtle
caribou lichen
scarlet waxcap mushroom
starflower
blue flag iris
wild rose
nodding trillium
fireweed
smartweed (polygonum amphibus)
marsh calla (berry)
stonecrop
monarch butterfly
flower longhorn beetle
bee

you can view all 24 images in gallery 6 in my website:
www.brianholden.ca

There is an article on the show in our local culture publication called the Walleye. Print copies are available free at many different locations around Thunder Bay and region but they also have the issues available online to view.
Here is the link to the most recent issue with the article about yours truly on page 29.

http://www.thewalleye.ca/Digital/october2015/index.html
 
This project was made possible through funding from the Ontario Arts Council.











Monday, September 15, 2014

New work in process


























Pileated
serigraph
acrylic ink on Maidstone 270 gm rag
4 colour stencils
edition of 20
2014


I haven't posted since late June and most of the posts from earlier this year focused on my role as an art educator in the schools. The summer saw me occupied working on small print based studies that have been funded through an Ontario Arts Council Northern arts grant for new work. My series of around 20 studies will focus on the flora and fauna found in the region of the province of Ontario where I reside. The working title at the moment for the series is Small Wonders of the Boreal. All work falls within the classification of miniature artwork due to the size restriction. My goal is to present these works to the public in 2015 in the form of exhibition. A few of the studies also relate to the concept of 
species at risk.

Last week I spent a good deal of time working on several small serigraph (screen prints). This occurred outside of my home studio. I was asked to house/pet sit for a friend who owns a year round residence on a remote wilderness lake outside the city of Thunder Bay. The setting was quite beautiful and was the perfect location to inspire and motivate my creativity. The absence of everyday urban noises of traffic, people and planes overhead was very welcome and put me in a totally different headspace. 





The challenge for me was to find a space in her home where I could set up shop and be able to screen print.
I first created a portable screen printing surface complete with hinges, frames, screen material, squeegees, inks, papers and all other supplies one would need to create silkscreen imagery. I decided to use film and special latex opaque black ink as the basis for creating my stencils. Fine microfilament screen material was stretched across several wood frames and light sensitive diazo photo emulsion was flooded coated on to them. They were allowed to dry in a dark place. The positives were set on top and exposed to a light source. I developed the open stencils by spraying the screens with a fine jet of water post-exposure. 
I printed the imagery by creating a registration base for the paper and positioning of each screen to register with this base. Acrylic based screen printing inks were used. Several stencils were used and inks were printed starting from the lightest colour to the darkest. 
Editions have been kept small for this series due to budget for all of the materials I have required but also the amount of labour involved for each print application I am using.

Below is the process I have chronicled for one of the serigraph studies titled Pileated. It hopefully gives an idea of how the final image came about.


photo that I took earlier this winter in my backyard. 
A red headed pileated woodpecker on the suet feeder. Using artistic license I adapted a sketch from this photo and placed the bird onto the weathered trunk of a tree I spotted on a morning walk. It just made more sense to have the print reflect a more natural setting.



above is the tree and background sketch I made in ink on acetate using a rapidograph technical pen. you will notice that I have made little plus sign registration marks on the corners. These help to position the positive on top of the screen after it is coated with the photo sensitive emulsion. Registration is a key factor for all aspects of the process.






the clear film and opaque black ink positive for the bird and texture of the bark on the tree trunk. This would be the second last stencil (in this case the black ink.)




here is an early progress proof. I decided the reddish brown ink wasn't to my liking. I altered this to a colour of ink more akin to clay and what I think looked more believable.




The makeshift print studio. I clamped the screen base onto a dresser in an entry porch. The mdf board worked well. The height off the floor and having the board extend out beyond the top of the dresser making it ideal. You will notice the space is used for storage and housing a few pet facilities. The room had good indirect natural light through large windows. I strung up twine across the room to use for clipping the print paper onto to dry inbetween colour applications.



3 colours at this point had been printed


Wednesday, June 9, 2010

Wilderness - Exhibition opening


artist and his work

entrance to the Pictograph Gallery - in the lower level of the Voyageur Mall in Atikokan Ontario


This past Saturday (June 5) was the official opening of my solo show titled Wilderness at the Pictograph Gallery in Atikokan Ontario. I had the honour of hanging the show myself and given the amount of wall space available chose to work an arrangement that would allow each individual work some spotlight. I chose to tag each of the work with floating text by printing title, date and medium onto translucent laser labels. Unfortunately due to the low ceiling and closer proximity of nearby walls the regular glass picked up reflections a bit too well in the photos so I apologize if this makes viewing difficult of some of the work in the attached photos . It didn't appear to be as bad viewing these in person though.
Although the weather turned out to be a bit cool and wet about 40 persons dropped by to view the work and learn a bit about printmaking from this artist.
The show runs until Saturday June 26. The gallery is open Tues - Sat from noon until 3 pm daily. The gallery phone number is (807) 597-4344 or one can contact them via the website link above for more information.
My friend Luke who was in attendance took some video footage featuring a close up of each piece. You can view the footage by clicking the following links:

http://www.youtube.com/watch?v=WqocGep9L1c
http://www.youtube.com/watch?v=ZuGSZe1dglE
http://www.youtube.com/watch?v=XASM8LsIyzA

installation of horizontal work

portable wall and end wall with view of vertical work



a fitting quotation that accompanies my work


a small wood engraving - one type of relief surface printmaking that is featured


a monochromatic study pulled from the surface of an engraved acrylic plate


Quetico French Lake
relief block print


finally... a big thank you to the hard-working staff and volunteers of the Pictograph Gallery (with the support of the Ontario Trillium Foundation) for allowing me the opportunity to showcase in this venue.

Also a sincere thanks to the  Ontario Arts Council again for providing the support that enabled public presentation of this series of work.

The Ontario Arts Council is an agency of the Government of Ontario

Sunday, February 15, 2009

serigraph print (silkscreen)

The following are a few examples of studies that employ the technique of serigraphy or more commonly known as silkscreen printing. These are from a project titled Northern Ontario Waterways. The series illustrates the influence of water in the geography of the region where I dwell and also observations of nature as directly impacted by water.
The prints are made by passing acrylic inks through multiple stencils that are affixed to the surface of individual tightly woven mesh polyester screens. A sharp edge vinyl blade (squeegee) is used as a tool to pull ink across the surface of the screen and push it through open areas of the stencil to deposit in a thin layer on paper underneath. The screens are secured in positions so there is exact registration of the stencils onto the paper underneath for each of the ink colours.




Lake near Terrace Bay
serigraph
2008




Waterlily - Offshore
serigraph
2008





water strider
serigraph
2008